A SECRET WEAPON FOR BLISS SWEET ESCAPE GUMMIES 0 28

Notions of looking and voyeurism are resolved spatially and architecturally in “Very good For Me.” In this particular sequence, swooping strains develop a sort of peephole outcome that reveals Mundt in two distinctive poses: adopting the posture of Toulouse-Lautrec’s design and tugging at her belly. This gesture, which appears in other painti